Hailing from Warsaw, Poland and armed with a lethal strain of progressive Death Metal, DEAMONOLITH are a relatively newer group on the scene, having formed in 2022. ?The Monolithic Cult Of Death? is their first formal release. Creatively risky and compositionally heavy, DEAMONOLITH have created something that feels wicked, imperialistic and cruel. DEAMONOLITH took a creative gamble by releasing what is, essentially, one large 35+ minute long song. In most conventional music, be it Heavy Metal or otherwise, albums are compromised of songs that have their own lifespans or life cycles, through intros, verses, choruses, bridges, breakdowns and so on. ?The Monolithic Cult Of Death? is broken down into six segments, each representing narration from various characters within the music. For over half an hour, the band delivers an unbroken stream of punishingly heavy music with very little solace and sonic relief. Convention is thrown out the window here, instead of intros, choruses and verses, there are vocal narrations and long-form ideas being executed, ?The Monolithic Cult Of Death? plays out like a sonic story, with a plot, characters and vocal motifs.